Metallica Look Back at 3. Years of 'Ride the Lightning'.
Ride The Lightning Metallica. Comemore os 13 anos do Letras com muitas playlists. Guilty as charged But damn it, it ain't right There's someone.
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A friend literally gave us his apartment to stay in while we recording. James and I slept in the bedroom, Kirk and Cliff shared his couch. At the time, Ulrich and vocalist- guitarist James Hetfield were both 2. Kirk Hammett was 2.
Cliff Burton was the old man of the group at 2. Less than a year earlier, they had kicked out guitarist Dave Mustaine, who went on to form Megadeth, recruited Hammett and released their speed- limit- breaking debut, Kill 'Em All, the record that defined thrash metal. Now they were working on the album that defined Metallica. Thirty years later, Ride the Lightning stands out in the group's catalog as the album that introduced melody to its arsenal.
Download Metallica - Ride The Lightning - Full Album.mp3 torrent from music category on. Metallica - Ride The Lightning - Full Album.mp3. Metallica - Ride The. Listen to songs from the album Ride the Lightning. To preview and buy music from Ride the Lightning (Deluxe Edition) by Metallica. Ride the Lightning is the second studio album by American heavy metal band Metallica. Metallica Look Back on 'Ride the Lightning. On the eve of the 30th anniversary of Ride the Lightning, Rolling Stone. I thought playing it in full at.
Songs like the heavy ballad . But when Metallica were making it, they were poor, young headbangers, trying to stretch their dollars.
On the eve of the 3. Ride the Lightning, Rolling Stone caught up with Ulrich, Hammett and production assistant Flemming Rasmussen, who recorded the group in Copenhagen's Sweet Silence Studio, to find out how the album was made and what it means to them now. Where did the title Ride the Lightning come from? Kirk Hammett: I was reading The Stand by Stephen King, and there was this one passage where this guy was on death row said he was waiting to . It was three American guys and a Danish guy. It was easy for the Danish guy to fit in, but it wasn't so easy for the three American guys to fit in. We were experiencing culture shock a little bit.
How did you handle your homesickness? Hammett: We didn't really have anything else to do besides work on music and drink Carlsberg beer. We collected absolutely every single beer bottle in our friend's apartment, because you were able to take in four six packs of empty beer bottles and get one six pack of full beer bottles back. Once we figured that out, that was a little thing that we did. Being homesick gave us the right amount of, I don't want to say .
We plugged up the tub in his bathroom. He had a huge videotape collection of all these bands, live on video. And part of our thing is we would wake up in the morning, pick out a music video to watch. Come back from the studio. Put on some more music videos. That's what we did. Flemming, what were your first impressions of Metallica?
Flemming Rasmussen: I had never heard of them, but I really liked them as people. The studio I worked at, Sweet Silence, was renowned in Denmark. My mentor was really into jazz, and he pulled me aside one day and said, ?
Listen to the energy. He was recording us with lots of ambiance, and we wanted heavy sounds and big drums. Hammett: We recorded Kill 'Em All, at this local studio in Rochester, New York, and I think the biggest artist that might have used that place was the singer of Foreigner for some demos or something. But we were really excited to be at Sweet Silence Studios because that's where Rainbow did Difficult to Cure.
We were excited because we liked the sound of that album, and we were looking to get a similar sound for our album, using that studio and the same engineer, Flemming. Metallica's Lars Ulrich Recalls 'Fucked Up' 1. Grammy Loss. How complete were the songs when you began recording? Hammett: Three or four months prior to recording Ride the Lightning, we would do these small, theater shows where we would play were .
Were you trying to do something different, musically? Ulrich: It was the first time that the four of us wrote together and we got a chance to broaden our horizons. I don't think it was a conscious effort to break away from anything musically. Obviously, listening to songs like .
But we were realizing you had to be careful that it didn't become too limiting or one- dimensional. All four of us were so into so many different things. And Kill 'Em All was primarily written with James and I and Mustaine; so Kirk and Cliff didn't really contribute to any of the songs on Kill 'Em All. Ride the Lightning was the first time that both Cliff and Kirk got a chance to add what they were doing. They just came from a different school, especially Cliff, who came from a much more melodic approach. Did you just jump right into recording right when you got to Copenhagen? Hammett: All our equipment got stolen in Boston, right before we were going to leave for Europe.
The only things that we had were our guitars. Rasmussen: James had this special Marshall amp that had been modified when he recorded Kill 'Em All.
We had to get all the Marshall amps from some of the metal bands that were in Denmark at that time, so like nine Marshall amps, and spent the first day testing them. We actually recreated James' guitar sound on Kill 'Em All, but just beefed it up.
He was really pleased with that. Hammett: It wasn't a particularly fun or happy time. But we were glad to be at a great studio in good working conditions. Everything else outside the studio was a struggle. How did Cliff come up with the descending bass riff in the intro of . He used to carry around an acoustic classical guitar that he detuned so that he could bend the strings.
Anyway, when he would play that riff, I would think, . It's such a crazy riff. To this day, I think, . But there was a really heavy, cast- iron anvil and a metal hammer, and we stuck them in an all- concrete room. He'd just go wang. You were recording in February.
Wasn't it cold? Rasmussen: We were recording at night and it was freezing sometimes. We had big gas heaters heating up the drum room so Lars wouldn't catch a cold. That studio is now somebody's apartment, by the way.
Somebody's living room is where Lars actually sat and recorded Ride the Lightning. That's kind of amazing . I think I should move there.
Metallica Talk Epic New Song 'Lords of Summer'Kirk, riffs from songs by your previous band Exodus, . Did you bring those to the table? Hammett: No. What I think happened was when Lars and James were thinking about getting rid of Dave . So when they were writing . At one point, the other three decided not to sing, just to check it out, and either Cliff or Kirk didn't say a word . It was the Eighties, and everyone was doing the punk thing with tight pants, but he was still wearing bellbottoms.
He didn't give a shit what people thought about him. He was a good musician, really nice on a personal level and a good poker player. As a bassist, he was more like a soloist than a regular bass player. The first time I recorded him, I tried all sorts of shit to make him feel comfortable, because he was used to the live environment. Eventually, I put his amp in another room, and he'd play in the main room like he was onstage, with the sound blasting from these speakers. It was a sad day when he died .
What was it like when you came back? Ulrich: When we got back, we had to sleep in the studio because we couldn't afford any place to stay.
Literally, we stayed in a room with all four of us on the floor. Rasmussen: They were young kids. We didn't have any problems with them staying at the studio. I had to kick some of them into the showers after a couple weeks because they kind of just smelled. When they put on the same T- shirt they had been wearing for like a week, .
We'd start recording at 7 at night and go on 'til 4 or 5 in the morning. So they'd just crash and sleep all day. Ulrich: Mercyful Fate's rehearsal room was right next to Sweet Silence Studios.
We actually finished the last couple of songs we did for Ride the Lightning – like . We were obviously huge fans of theirs, but we also became friends and they were our peers. Hammett: It was a trip meeting Mercyful Fate because their music makes you think the guys are a bunch of evil, satanic, human- sacrificing devil worshippers. But in reality, they're all a bunch of goofy Danish guys. King Diamond had a bit of an aura about him, but you couldn't find a sweeter, more funny guy than him.
Q& A: King Diamond Returns (With Human Bones) After Death- Defying Decade. Ulrich: I remember we'd heard all the live, bootleg tapes where they'd talk about how, . And all of a sudden, we were looking at the goose feathers that had been used for tapping blood from the roadies. But there was a sincerity to it. It's hard to not respect and hard to not totally appreciate that.
Hammett: At one point I thought Mercyful Fate were the heaviest heavy- metal band out there. I remember we played them a few of our songs on Ride the Lightning and Michael Denner, their guitar player, came up to me afterwards and said, . On some of these takes, we actually turned the tape around and recorded him playing part backwards while listening to the tape backwards to get mystery sounds in there. We also did that in the acoustic intro for . Was it meant to be a single? Rasmussen: I remember them talking about that, because they were on this small, independent label, so that was their way of pleasing a major label, so they could get signed.
Luckily, they went away from that whole pleasing- a- record- label thing. Hammett: When we played .
Playing that song was more of a novelty than anything else, but we loved playing all the other songs. Were any labels courting Metallica while they were in the studio?
Rasmussen: They had dealings with Bronze Records at the time, but they wanted the band to record everything again with the label owner's son producing. Bronze has since went bust. Lars Ulrich on Metallica's Next Album: 'We're One Day Closer'Ride the Lightning came out on July 2. Megaforce Records and, after the group signed with major label Elektra, it was reissued on November 1. What did you think of the reaction to the album's more melodic songs? Ulrich: There was an odd reaction to .
It did surprise us a little bit, I guess. People started calling us sellouts and all that type of stuff. Some people were a little bit bewildered by the fact that there was a song that had acoustic guitars. That was kind of funny because every great Black Sabbath, Deep Purple, Iron Maiden, Judas Priest, Mercyful Fate record, that was part of their arsenal, too.
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